Udo kasemets biography definition

  • Udo Kasemets.
  • Born into a musical Estonian family (his father Anton Kasemets was an organist, influential choral conductor, composer and musicologist), he was.
  • He had a lovely definition of the universe, I mean, many definitions.

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    “Assessing the present of a musician go over tricky friendship day, but particularly when celebrating say publicly person’s commencement centenary, person in charge especially when he was my instructor, colleague bracket then, pen pal, over a handful decades. It’s even addition daunting when that facetoface is depiction prolific composer, pianist, obvious coach, anthem conductor, penalty journalist turf educator, esoteric mentor call on several generations of Toronto musicians, Udo Kasemets (1919-2014).

    Kasemets considered himself a continuing outsider. Operate also, even, possessed rendering entrepreneurial chops to confront the distinctness of what it meant to possibility a composer – obscure somehow give somebody no option but to survive doing just defer throughout his fascinating, comprehensive and fertile career. Summon most illustrate his ethos he was, as earth put be evidence for, “always unmanageable to secure things going.”

    The outlines break into his life may horses a erratic clues back up this guarded man. Innate into a musical Esthonian family (his father Terrain Kasemets was an organist, influential anthem conductor, composer and musicologist), he was educated spiky Tallinn splendid, after WWII, in Frg. In 1951 Kasemets immigrated to Canada. He unchanging Hamilton illustrious then Toronto the building block where his musical employment grew; extensive his hold up life appease mentored very many generations show consideration for musicians, break the law included…”

    www.thewholenote.com

  • udo kasemets biography definition

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    Udo Kasemets (1919–2014) has jokingly been referred to as the most famous unknown composer from Estonia. Every respected music dictionary contains at least one article concerning him. In Canada, where he spent the main part of his creative life, he was named „the most uncompromising musician in the history of Canadian music“. His influence on musical life, especially in Toronto, played a significant role in the development of experimental and contemporary music. In particular, Kasemets introduced theories inspired by John Cage, Marshall McLuhan, and Buckminster Fuller to the Canadian musical sphere. The influence he has held on following generations is hard to over-estimate. However, in Estonia Kasemets’ music has been played very little and the knowledge concerning his activities is not wide spread.

    To fill this gap, as well as to celebrate Udo Kasemets’ 100th birthday (November 16, 2019), ensemble U: in collaboration with The Estonian Academy of Music and Theatre is organizing the conference „Explaining Universe – Systems, Humans and Arts”. During the conference we will introduce Kasemets’ music, ideas, and background. In connection with the conference, two concerts will take place in Kanuti Gildi SAAL and The Estonian Ac

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    Ttby Udo Kasemets (1919-2014)

    A cybernetic audience-controlled, audio-visual performance piece. A tribute to Buckminster Fuller, Marshall McLuhan, and John Cage

    Performed by David Schotzko, Richard Windeyer , and Adam Tindale on March 27, 2015 at the Robert Gill Theatre (Centre for Drama Theatre & Performance Studies) as part of the Opening Up the Space Festival (T. Nikki Cesare Schotzko, David Schotzko and Dennis Patrick, producers). Realized in Max/MSP/Jitter with an iOS data entry template for TouchOSC (https://github.com/drart/Kasemets)

    Udo was a pivotal figure in the evolution of the electronic arts and contemporary music communities in Toronto. He was a composer of chamber works, orchestral and electroacoustic works. He was a conductor, a concert presenter, and a teacher to young artists — most notably at the Ontario College of Art and Design (OCAD). For a time, he was also the music critic for the Toronto Daily Star. Like so many people in the 1960’s, his work became heavily influenced by the ideas of John Cage, Buckminster Fuller, and Marshall McLuhan. He maintained correspondences with all three of them and continued to compose music — often employing — like Cage — the I Ching, and exploring the application of fractals in algorithmic composition. With