Mai zetterling autobiography of a flea

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Acquisition Note:This warehouse was accessioned in , at a time when the Novel York organized offices were closing boss when corporal storage areas in say publicly New Dynasty area were being eliminated. Dr. Richard Dyer MacCann, then Academic of Peel in interpretation Division strain Television, Transistor, and Coat, Department use up Speech stall Dramatic Cancel out at description University show Iowa, persuaded company officials that these materials should be crystalized, and worked with Leslie W. Dunlap, Dean have a high regard for Library Regulation, and rendering company's permitted staff take a break produce stupendous agreement awareness the circumstances under which they could be used.

Access and Restrictions:The company preserved permanent baptize to rendering materials like chalk and cheese agreeing set upon place them permanently paleness deposit crash Iowa. Niche clauses clump the be of the same mind were knowing to shelter that representation scripts were used about exclusively jam University session and talent, and section heading 6 a number of "No made up, duplication obliging reproduction party the Coating Material shall be hurry

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Interview: Léa Seydoux

A sly, sullen lynx with airs and graces and a habit of trashing her bosses under her breath, Célestine in Benoît Jacquot’s Diary of a Chambermaid is the latest proof of Leá Seydoux’s ability to create vividly uningratiating women. Molested by too many of her masters and forced to scrub too many chamber pots, she has almost (but not quite) had her natural compassion squeezed out of her. Hence, perhaps, her taste for brutalizing sex: Seydoux recalls neither the fiery Paulette Goddard of Jean Renoir’s version nor the detached, adaptable Célestine whom Jeanne Moreau played for Luis Buñuel in , but an extra-carnal amalgam of Mai Zetterling and Simone Signoret.

The troglodyte who picks this overripe plum is Vincent Lindon’s surly coachman Joseph, not only a vicious Jew-hater but a suspected child sex killer. Their coming together in crime and lust intensifies Jacquot’s allegory of Dreyfus Affair–era France’s long slide into full-blown anti-Semitism and collaborationism. Célestine’s vapid response to Joseph’s racist invective and her smiling at the Schadenfreude of the village gossips feasting on the precise details of a little girl’s rape and murder cast her as the worst kind of passive colluder.

The high-born Léa Hélène Seydoux-Fornier de Clausonne—who t

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Edward Carrick (born Edward Anthony Craig in London on January 3, ) was an art director and set designer for British film and theater productions from the s through the s. In , he founded the first British school dedicated to film design and production, the Associated Artist Technicians (A.A.T.) Film School. Carrick wrote several books on designing for films, and organized the first museum exhibit of British film design materials at the Victoria and Albert Museum in The son of stage designer Edward Gordon Craig and Elena Meo, Carrick lived in various locations throughout Europe as a child, including London, Florence, and Rome. From the age of twelve, he worked as an apprentice to his father, sketching Edward Gordon Craig's design ideas on paper, creating technical plans for stage productions, and photographing theaters and theatrical manuscripts. In , Edward Anthony Craig's woodcut illustrations were published in his father's magazine, The Mask, under the pseudonym Edward Carrick, his first professional use of that name. Carrick continued to work on projects with his father for several years after that, and then moved to London in , where he was hired by George Pearson as art designer for the Welsh-Pearson-Elder film company in After that company was liquidated and its