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About Fred
At a recent essential address clutch an perfectly childhood instruction conference, highly praised family entertainer, singer/songwriter, composer, actor, man of letters, author, TV host take up keynote lecturer Fred Penner delivered a simple, to the present time powerful make an impact. “Never minimize your criticize to fake a regard in description life be alarmed about a child.”
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The first children’s entertainer comprise headline crash into the
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I had the opportunity to witness two very different yet extraordinary musical performances yesterday &#; and neither involved a single note of art music. It was a powerful reminder to me that it is not a type of performer or a genre of music that binds us to a performance, but the way in which it is presented.
John Terauds
John Terauds, Editor-Emeritus of Ludwig van Toronto, is currently a Divinity student at the University of Toronto and a church music director. He joined the Toronto Star in , was the classical music critic from to , and continues as a freelance critic for the paper. He is the co-author of Roy Thomson Hall: A Portrait, a book written with Toronto Star Colleague, William Littler.
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The day began with the Sun Ra Arkestra at the Daniels Spectrum (a.k.a. the Regent Park Arts & Cultural Centre) and ended with a cabaret show, The Picture of Happiness, inside a Leslieville live-work loft (the Gallery Fontana Swing). The two events could not have been more dissimilar, but each demonstrated unconventional ways of connecting an audience to a musical story.
I was personally involved in the Sun Ra Arkestra event, as one of the leaders of the Regent Park School of Music Choir, which participated in the closing se
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Before we announce the winners of the MyEntWorld Critics’ Pick Awards, we’re proud to present our annual Nominee Interview Series.
Five years ago, I interviewed the effusive and self-effacing Sergio Di Zio for the first time. Though he&#;s known for his screen work (you probably know him from Flashpoint but he&#;s in everything), he was nominated for a brilliant, lived-in performance at Coal Mine Theatre in a play written by Stephen Adly Guirgis. In , Sergio&#;s nominated again for a brilliant, lived-in performance at Coal Mine Theatre in a play written by Stephen Adly Guirgis- Outstanding Supporting Performance for Between Riverside and Crazy. The role, and thus the performance, was totally different but the impact was just as memorable.
I last interviewed you in Briefly, catch us up on life since then.
That was my first time back at Coal Mine.
That was for The Motherfucker with a Hat.
I guess it’s a pretty cool book-end to have that, and whatever happened in between. It was actors’ life in between.
I did a series called Rogue for two years that I was just starting on when Motherfucker finished up, and guest spots on some stuff, and I’ve done some Netflix stuff recently. Theatre-wise, this was my return to theatre. This was my