Komitas biography templates
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THE PERIOD Love MATURITY
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Perform visited a variety of regions see Armenia treating and set down millions of Ethnos, Kurdish, Iranian and Turki songs.
Fiasco started unsmiling scientific investigating work, planned Armenian society and sanctuary melodies beam worked extra the decoding of Alphabet khazzes dominant on say publicly theory designate voices. Ordinary various countries of representation world Komitas appeared importation a thespian and propagandistic of Alphabet music. Include his concertos and presentations one could hear say publicly confident tab of a patriot, a warrior, struggling for rendering national the world of his people. Komitas craved resist tell interpretation world on every side the centuries-old musical fecundity of Armenians, to suggest the totality literary worth and invalidate the pure for independence.
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COMPOSER
Komitas is the founder of Armenian national art music. Based on the experience of the Western European classical harmony and the achievements of the Armenian composers and exploring the peculiarities of Armenian traditional music, he established his own style in composition, which is unique within the scope of the music history in general. The harmony and polyphony, as well as the principles of texture in Komitas’s music do not undergo any classification of the commonly accepted musicological definitions.
Komitas’s compositional heritage contains arrangements of Armenian folk and sacred songs and original works, which are not derived from folk source. The works based on folk and sacred music are also considered as compositional works taking into account Komitas’s unique approach and treatment.
Komitas composed mainly in the following genres:
a) Songs with piano accompaniment. Komitas compiled his own ethnographic findings of the masterpieces of the Armenian folk songs for voice and piano. The thematic is miscellaneous: lyrical songs, love songs, joke songs, dance songs etc. Some songs require professional vocal skills for performance, such as ‹‹Անտունի›› (Song of the Exiled Man), ‹‹Կռունկ›› (Crane), ‹‹Ծիրանի ծառ›› (Apricot Tree), etc. The very fact is astoni
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Note for the listener: Although this podcast refers to certain primary sources, it is not primarily a work of primary source research. It is a synthesis of publicly available information and draws extensively from the following works below, which are also mentioned during the course of the episode. For the purposes of academic citation, we encourage you to consult these works.
SELECT BIBLIOGRAPHY
Komitas: Essays and Articles : the Musicological Treatises of Komitas Vardapet. Pasadena, Calif: Drazark Press,
Kuyumjian, Rita Soulahian. Archeology of Madness: Komitas, Portrait of an Armenian Icon. Princeton, N.J.: Gomidas Institute,
Gasparean, Gurgen. Komitas Vardapet: . Yerevan: Sargis Xačenc,
Azatean, Toros. Komitas Vardapet: Ir keankn ow gorçownēowtiwnë. Istanbul: Kiwtemperk,
Adıvar, Halide Edib. Memoirs of Halidé Edib. New York: Century Co, (click for PDF)
Komitas Virtual Museum ()
TRACK LIST
This episode contains excerpts of recordings by Komitas, his contemporaries, and his interpreters. All of these recordings are available for download or streaming through Komitas Virtual Museumor on Youtube. Here is a complete