Jeanne van heeswijk biography sample

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Event - Public Faculty no. 9 with Jeanne Van Heeswijk

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The Queens Museum’s Open A.I.R. Artist Services Program invites artists, cultural and community organizers, educators, and community members invested in long-term work with immigrant communities, youth, communities of color, queer communities and low-income communities to join artist and activist Jeanne Van Heeswijk in the development of the Public Faculty no. 9, a multi-session collective learning experience. The Queens Museum has long prioritized embedded community work seeing itself as a neighbor in the community and valuing cross-disciplinary partnerships. QM believes in the importance of accessibility of public space and the need for community voices organizing around community issues. Jeanne Van Heeswijk has a long history of embedded work in various communities and a continued engagement around issues of public space and community organizing. Her work is developed alongside participants; she serves as an active facilitator, acknowledging the important knowledge already present in communities

 

The impetus behind the Public Faculty series is to engage in collective learning through a process of knowledge exchange within the context of a certain place. A Public Faculty wa

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Jeanne van Heeswijk:Can we first talk about your notion of visionary fiction, and how you see that as an imaginative strategy?

Walidah Imarisha: Visionary fiction is a term—that I started using to talk about imaginative writings and then expanded to art—that can help us understand current power dynamics and support us in imagining ways to build new futures. For me, visionary fiction is intimately and inextricably tied to radical movements for change and to liberation movements. My touchstone for that work was co-editing Octavia’s Brood: Science Fiction Stories from Social Justice Movements (2015) with author and activist adrienne maree brown. 1 We were both doing our own work around radical imagination, science fiction, and social change, and came together to create the anthology, the premise of which is that “all organizing is science fiction.”

As folks who have come out of movements for change, we really wanted to support our movements by creating more spaces of imagination, because we are already doing that work—the work of holding the future, every day—anytime we imagine worlds without violence, worlds without prisons, or worlds without borders. Any of these things we’re fighting for, that is science fiction, and that is the work of the future. We want to suppor