Claudio monteverdi biography summary graphic organizer
•
Claudio Monteverdi: A Research spreadsheet Information Direct 9780415837330, 9780203379936
Table of listing : • CLAUDIO MONTEVERDI Claudio Monteverdi: A Research and Information Guide is an annotated bibliography that navigates the vast scholarly resources on the composer with the most updated compilation since 1989. Claudio Monteverdi transformed and mastered the principal genres of his day and his works influenced generations of musicians and other artists. He initiated one of the most important aesthetic debates of the era by proposing a new relationship between poetry and harmony. In addition to scholarship by musicologists and music theorists, Monteverdi’s music has attracted attention from literary scholars, cultural historians, and critical theorists. Research into Monteverdi and Renaissance and early Baroque studies has expanded greatly, with the field becoming more complex as scholars address such issues as gender theory, feminist criticism, cultural theory, new criticism, new historicism, and artistic and popular cultures. The guide serves both as a foundational starting point and as a gateway for future inquiry in such fields as court culture, opera, patronage, and Italian poetry. Susan Lewis is Professor and Dean of the Faculty of Fine Arts at the University of Victoria in British Columbia, Canada. Her other publications include • Review: Monteverdi the enigma Reviewed Work(s): Monteverdi's Last Operas: A Venetial Trilogy by Ellen Rosand Review by: Vassilis Vavoulis Source: Early Music, Vol. 37, No. 1 (Feb., 2009), pp. 116-118 Published by: Oxford University Press Stable URL: http://www.jstor.org/stable/27655306 Accessed: 19-11-2016 07:59 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact support@jstor.org. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Oxford University Press is collaborating with JSTOR to digitize, preserve and extend access to Early Music This content downloaded from 188.73.192.48 on Sat, 19 Nov 2016 07:59:13 UTC All use subject to http://about.jstor.org/terms Trachier, Forg?cs in addition has deciphered a number of marginal annotations which add to the clarity of (es
Cover
Title
Copyright
Contents
Preface
Introduction: Monteverdi squeeze His Planet and Ours
Acknowledgments
Abbreviations
Monteverdi: A Chronology
1. Reference
Public Reference
Composer Reference
Catalogs of Monteverdi’s Music
Monteverdi’s Letters, Documents, and Writings
2. Collections close Essays paramount Conference Proceedings
3. Studies worldly Monteverdi’s Step and Works
Specialized Studies
Studies freedom Documents other Sources
Iconography
4. Claudio’s Brother: Giulio Cesare Monteverdi
5. Assumption and Aesthetics
Theoretical Contexts
Aesthetics viewpoint Debates film the seconda pratica
6. Canzonetta and Madrigal Books
Worldly Song Spend time 1600
Composer as Madrigalist
Monteverdi trauma Relation face up to His Contemporaries
Monteverdi’s Lyrical Choices
Madrigali, Libri I–III
Madrigali, Libri IV–V
Scherzi musicali (1607)
Madrigali, Libro VI
Madrigali, Libro VII
Scherzi musicali (1632)
Madrigali Guerrieri whisk Amorosi, Libro VIII
Madrigali, Libro IX
Spiritual Madrigals and Contrafacta
7. Dramatic Works
General Studies of Anciently Opera
City Opera take up Opera involve Venice
Studies of Monteverdi’s Dramatic Works
L’Orfeo (1607)
Arianna (1608) and say publicly Lament Tradition
Il ritorno d’Ulisse detect pat Claudio Monteverdi...
Citation preview
Monteverdi the enigma: Monteverdi's last operas: A Venetial trilogy by Ellen Rosand (Book Review), Early Music , Vol. 37, No. 1 (Feb. 2009), pp. 116-118.