Borlase smart biography of william
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Selected Group Exhibitions
Borlase Microbe was a British Impressionistic & Novel painter who was whelped in
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Shimmering Reflections Grand Canal, Venice
Robert Borlase Smart (British, –)
Robert Borlase Smart (British, –) Smart was a British painter known for his landscapes and seascapes, particularly those depicting the coastal areas of Cornwall. He was associated with the Newlyn School of artists, a group that emerged in the late 19th century and focused on capturing the natural beauty of the Cornish landscape and the life of its fishing communities. Smart was influenced by the Impressionist movement, which is evident in his use of light and color. His work often features bold brush strokes and vibrant hues, capturing the essence of the scenes he painted. Over his career, he developed a distinctive style that balanced realism with an impressionistic approach. In addition to his landscape work, Smart also painted portraits and still lifes. His contributions to British art are recognized, and his works can be found in various collections and galleries.
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William Redgrave
William Redgrave () was a painter and sculptor. He was encouraged by Francis Bacon to take up sculpture in , and later described by writer and critic Bevis Hillier as “one of the great sculptors of the twentieth century”. His major work, &#;The Event&#;, was a bronze triptych weighing a tonne and consisting of figures, and it took him three years to make. When it was first shown at the Royal Academy in , The Daily Telegraph reviewed it as &#;the most successful piece of sculpture seen at the Academy for many years.&#; Sadly it was partially destroyed in the Momart warehouse fire in Redgrave also did portrait heads of a number of noted people, including Henry Cooper, Diana Rigg and Laurence Olivier.
Redgrave’s stay at Porthmeor was most notable for his studio sub-lets. His Studio 3 was used for the St Peter’s Loft art school that he ran with Peter Lanyon, whose students included Tony O’Malley. Francis Bacon rented it for six months just before his first one-man show at Marlborough Gallery, and Peter Lanyon later used it for his 10m wide commission ‘Porthmeor’. The studio was also to be used as part of a plan by Peter Lanyon to invite three major American artists to work in St Ives in , Helen Frankenthaler, Robert Motherwell and Sam Francis. Unfortunately this