Biography shel silverstein drug users
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Sheldon Allan "Shel" Silverstein (1930 – 1999) was an American poet, singer-songwriter, musician, composer, cartoonist, screenwriter and author of children's books. He styled himself as Uncle Shelby in many of his children's books. Translated into more than 30 languages, his books have sold over 20 million copies.[1]
Early life[]
Born in Chicago, Silverstein began drawing at age 12 by tracing the works of Al Capp.[2]
He graduated from Theodore Roosevelt High School and went on to attend the Art Institute of Chicago but left after one year. He was first published in the Roosevelt Torch (a student newspaper at Roosevelt University). In the military, his cartoons were published in Pacific Stars and Stripes, where he had originally been assigned to do layouts and paste-up. His first book, Take Ten, a compilation of his military Take Ten cartoon series was published by Pacific Stars and Stripes in 1955.
(a student newspaper at Roosevelt University). In the military, his cartoons were published in Pacific Stars and Stripes, where he had originally been assigned to do layouts and paste-up. His first book, Take Ten, a compilation of his military Take Ten cartoon series was published by Pacific Stars and Stripes in 1955.
Cartoons[]
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Executors or Executioners?
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A few weeks ago, rummaging around the Strand, I came across a fiftieth-anniversary edition of Shel Silverstein’s “The Giving Tree.” It had the fern-green cover familiar from childhood, the same oversized dimensions, the same appealing sketch on its front—a squiggly drawing of a tall tree, its top spilling off the page, and a little boy, looking up at it. But instead of experiencing a pleasant rush of nostalgia, I was dismayed. A strange thing happens when we encounter a book we used to love and suddenly find it charmless; the feeling is one of puzzled dissociation. Was it really me who once cherished this book?
The beginning of the story is innocuous enough: a boy climbs a tree, swings from her branches, and devours her apples (I’d never noticed that the tree was a “she”). “And the tree was happy,” goes the refrain. But then time passes, and the boy forgets about her. One day, the boy, now a young man, returns, asking for money. Not having any to offer him, the tree is “happy” to give him her apples to sell. She is likewise “happy” to give him her branches, and later her trunk, until there is nothing left of her but an old stump, which the old man, or boy, proceeds to sit on.
A little Googling corroborated my own distaste. “The Giving Tree” ranks high on both “favorite”